It seemed like it would never come. For months the land was hard and sere and all my attention seemed to be focussed on getting from place to place, from day to day. Even Malcolm shook his head about the lateness of it, when we went to collect our vegetables. "There’s just no sun," he said. "Nothing is growing." Then today we got up at sunrise and walked down the lane and realised winter had released us. Spring was finally here. The air was soft and vibrant. The earth felt near, as if every branch had come alive, buds ready to burst. We sat beneath an oak and breathed in the morning – blackbird singing high in the boughs, hazels dripping with golden catkins. Tapping of woodpeckers, mew of a buzzard above our heads.
After five months of watching the temperature gauge hover around freezing, it had suddenly risen six degrees. Six degrees makes a difference when you are living without central heating. Nine degrees means your bones stop aching, you no longer are terminally attached to your hot bottle, living in a cocoon of cardigans, kindling, soup and hot tea. You are no longer focussed inward, you are looking out towards the horizon, the room is full of unexpected light and air. Coming back from Norwich last week after a hard day’s work the sun burst through the clouds that had enclosed us in a grey helmet it seemed for weeks. The alders shone purple along the riverbanks and in the centre of each ploughed field there crouched a familiar form:
"I wonder why are there so many hares", I said to Mark.
"It’s March", he replied sanguinely.
Late Spring, cold spring. Is this climate change or just English weather?
One thing I know, we normally greet the snowdrops in Dunwich Wood at the beginning of February and this year it was the middle of March. We sat as we always do on a fallen trunk and listened to the soft inrolling sea against the cliffs and the birdsong amongst the yew trees, immersed in the quietude of white flowers.
It’s one of those moments you take in with your whole body – eyes, hands, feet, ears. The scent of rain and salt and sweet nectar, the hairiness of bark, the stillness and high vibration of the flowers. Spokesman for the wild places, Edward Abbey once wrote to all the environmentalists who had been inspired by his radical texts (
Desert Solitaire,
The Monkey Wrench Gang) to take action on behalf of the earth. Take time, he said, to go up in to the mountains and remind yourself why you are putting yourself on the line.
It’s good advice because with all the talking about feeding the world and energy reduction, about social change and behaviour change, all those hundreds of emails and newspaper headlines taking up your attention, you can forget why you are in Transition in the first place and what it means to be alive on the earth. In winter, summer or spring.
Sometimes I dream of a world where we can walk nobly, without shame, on this planet. It’s a future I hold in my heart, ready, like a leaf, to unfurl:
Happily with abundant plants may I walk.
Happily on a road of pollen may I walk
Being as it used to be long ago may I walk.
May it be beautiful before me.
May it be beautiful behind me,
May it be beautiful below me.
May it be beauitful above me.
May it be beautiful all around me.
In beauty is it finished.
In beauty it is finished. Words from a traditional Dine (Navajo) Chant; Snowdrops and Mark in Dunwich Wood, purple crocus outside my door
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